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Íomhá:Jean-Paul Flandrin - Odalisque with Slave - Walters 37887.jpg

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Achoimriú

Odalisque with Slave  wikidata:Q3047015 reasonator:Q3047015
Cumadóir
Jean Auguste Dominique Ingres  (1780–1867)  wikidata:Q23380 s:fr:Auteur:Jean-Auguste-Dominique Ingres q:en:Jean-Auguste-Dominique Ingres
 
Jean Auguste Dominique Ingres
Description French péintéir, polaiteoir, veidhleadóir, maisitheoir, déantóir priontaí agus ealaíontóir grafach
Date of birth/death 29 Lúnasa 1780 Edit this at Wikidata 14 Eanáir 1867 Edit this at Wikidata
Location of birth/death Montauban Edit this at Wikidata Páras Edit this at Wikidata
Work location
Dampierre-Saint-Nicolas; Meung-sur-Loire; Páras; Toulouse; Versailles; Ancona; Flórans; Napoli; Orvieto; Ravenna; an Róimh; Siena; Urbino Edit this at Wikidata
Rialú údaráis
artist QS:P170,Q23380
Paul Flandrin  (1811–1902)  wikidata:Q3371528
 
Paul Flandrin
Alternative names
Jean-Paul Flandrin
Description French painter agus lithographer
Date of birth/death 28 Bealtaine 1811 Edit this at Wikidata 8 Márta 1902 Edit this at Wikidata
Location of birth/death Lyon Edit this at Wikidata 6ú arrondissement Pháras Edit this at Wikidata
Work location
an Iodáil (1833–1838) Edit this at Wikidata
Rialú údaráis
artist QS:P170,Q3371528
image of artwork listed in title parameter on this page
Teideal
Fraincis:
Odalisque à l'esclave

Odalisque with Slave
title QS:P1476,fr:"Odalisque à l'esclave"
label QS:Lfr,"Odalisque à l'esclave"
label QS:Len,"Odalisque with Slave"
label QS:Lfa,"کنیزک با یک برده"
label QS:Llt,"Odaliska su vergu"
Object type pictiúr / cóip Edit this at Wikidata
Seánra nocht Edit this at Wikidata
Tuairisc
English: An odalisque (female member of a harem) reclines exposed in the harem listening to a servant's lute music. This painting was commissioned by King Wilhelm I of Württemberg and was executed by Ingres with the assistance of his pupil Paul Flandrin. A version of this subject painted three years earlier shows the odalisque in an enclosed room rather than with the garden vista in the background (Fogg Art Museum, Cambridge, Massachusetts). This exotic composition, which was inspired by a passage from Lady Mary Wortley Montagu's Turkish Letters (1763), may have been conceived by Ingres in response to his rival Eugène Delacroix's success as a painter of Near Eastern subjects.
Dáta 1842
date QS:P571,+1842-00-00T00:00:00Z/9
Medium ola ar chanbhás
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Toisí airde: 76 cm; leithead: 105 cm
dimensions QS:P2048,76U174728
dimensions QS:P2049,105U174728
institution QS:P195,Q210081
Uimhir shealbú
37.887
Place of creation Rome, Italy
Object history
  • Wilhelm I, King of Wurtemberg, 1842, by commission
  • Delessert [date and mode of acquisition unknown]
  • Baron Gustave de Rothschild, [date and mode of acquisition unknown]
  • Sir Phillip Sassoon, London [date and mode of acquisition unknown]
  • Wildenstein and Co., New York [date and mode of acquisition unknown]
  • 1925: purchased by Henry Walters, Baltimore
    [with encouragement of Bryson Burroughs, Wildenstein & Co.]
Exhibition history From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. 1951. Inaugural Exhibition at the Fort Worth Art Center. Fort Worth Art Center, Fort Worth. 1954. Ingres in American Collections. Paul Rosenberg & Co., New York, New York. 1961. Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002.
Fuarthas ó/Cnuasach 1931: bequeathed by Henry Walters
Inscriptions

Signature agus dáta bottom-left corner:

J.Ingres / 1842
Tagairtí
Foinse Walters Art Museum: Home page  Info about artwork
Ceadúnas
(Athúsáid a bhaint as an gcomhad seo)

Leaganacha eile
cropped for dutar player

Ceadúnú

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1867, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Assessment

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Captions

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Odalisque with Slave (1842), oil on canvas, 76 x 105 cm. Walters Art Gallery, Baltimore, Maryland

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Odalisque with Slave Béarla

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faoi láthair23:59, 25 Márta 2012Mionsamhail do leagan ó 23:59, 25 Márta 20121,799 × 1,318 (2.84 MB)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Jean-Paul Flandrin (French, 1811-1902) |title = ''Odalisque with Slave'' |description = {{en|An odalisque (female member of a harem) reclines exposed in the harem l...

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